![]() ![]() “Dummy” was a masterwork that helped to cement the reputation of Bristol as the capital of trip-hop, a nascent genre which was then often referred to simply as “the Bristol sound.” 3. ![]() Using those hip-hop techniques as a base, the group would record their own original music atop all of that using an analog format rather than a digital one, giving their work a vintage sound. Portishead’s 1994 album “Dummy” pushed the genre to an international audience through the use of a number of hip-hop techniques, such as sampling, scratching, and loop-making. “Numb” by PortisheadĪround this time, another group who would also be considered one of the pioneers of the trip-hop, downtempo and chill genre emerged from the same Bristol scene: Geoff Barrow, Adrian Utley and lead singer Beth Gibbons, better known as Portishead. It was shortly after this that international music publication MixMag coined the phrase “trip-hop,” along with “downtempo” and “chill”, as a way of describing this emerging genre of music that utilized hip-hop samples, funk and other slowed down atmospheric elements that gave a torrid hip hop aesthetic and cinematic vibe to the music. The song contained samples taken from “The Payback” by James Brown, namely the hi-hat beat and the recurrent wah-wah guitar element. The track features vocals from Tracey Thorn, lead singer of Everything But The Girl. Massive Attack’s 2 nd album, 1994’s “Protection” fine-tuned the formula for the yet-to-be-named genre. The Progressive Underground’s Primer to Trip-Hop 1. Click the player above to hear Chris Campbell’s history of trip hop and get a feel for the genre with these quintessential tracks. Trip-hop is a form of electronic music that reinterpreted its possibilities with technology while capturing our imaginations and our ears with its richly atmospheric sound stylings that have enjoyed continued afterlife on film and television soundtracks. Music from the genre appeared in movies, television series and commercials and spawned several subgenres including illbient, post trip-hop and IDM.īut its enduring legacy is found in numerous pioneering artists whom it has influenced such as the Gorillaz, Beck, Bjork and Radiohead. Trip-hop continued to grow its global audience and become an international phenomenon well into the 2000s. “Blue Lines” cited influences from Isaac Haye’s orchestra soul and the Mahavishnu Orchestra’s jazz-rock aesthetic all the way to the dub reggae of Studio One, but with an emphasis on not necessarily filling a dance floor but rather a focus on “chilling out” at a lounge. ![]() Trip-hops enduring legacy is found in numerous pioneering artists whom it has influenced such as the Gorillaz, Beck, Bjork and Radiohead. A multi-racial collective of DJs, singers and rappers emerged from this scene to band together to form the group Massive Attack who released “ Blue Lines” in 1991, the album widely regarded as the first trip-hop album. Over 26 years ago, before it was made famous by the likes of Massive Attack and Portishead, trip-hop was a new music genre that emerged from the early-90s music scene in Bristol, UK.īristol, a western port known for its leisurely pace and laid-back lifestyle, was grounded in post-punk bohemia music for years. ![]()
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